• CELSIUS TEAM

CAREER IN FILM/DRAMA PRODUCTION

INTRODUCTION

In Film/Drama production, is a joint activity of

Making movies, television shows, and sometimes commercials. The work includes camera, lighting, editing, sound and set design. This field deals with identifying design styles for sets, locations, M graphics, props, lighting, camera angles and costumes, while working closely with the director and producer.


COURSES

  • PG Diploma in Film, Television and Digital Video Production

  • One Year Post Graduate Diploma in Feature Film Screenplay Writing

  • 3-year (full time), Postgraduate Program in Cinema (specialization offered in Direction Screenplay Writing)

  • Three Year Post Graduate Diploma in Direction & Screenplay Writing

  • Post Graduate Diploma in Art Direction and Production Design

  • One Year Post Graduate Certificate Course in TV Direction

  • Three-year full-time Diploma Courses in Dramatic Arts

ELIGIBILITY

One can get a degree (Bachelor’s or Master’s),or pursue diploma courses, the duration of which may vary between 3 months and 1 year


INSTITUTES/UNIVERSITIES

  • Film And Television Institute Of India, Pune

  • Satyajit Ray Film and Television Institute, Kolkata

  • Centre for Research in Art of Film and Television, Delhi

  • National School of Drama, Delhi

  • Jawaharlal Nehru Architecture and Fine Arts University, Hyderabad

  • College Of Fine Arts, Hyderabad

SKILLS REQUIRED FOR FILM/DRAMA PRODUCTION

  • Analytical Skills

  • Assigning Tasks 

  • Delegating

  • Flexibility

  • Planning

  • Critical Thinking

  • Decision Making

  • Detail Orientation

  • Estimating Costs

  • Maintaining Relationships with Vendors

DUTIES AND RESPONSIBILITIES FOR FILM/DRAMA PRODUCTION

Most production designers work as freelancers and so an important part of their work is marketing their skills and experience, making contacts and briefing agents.

First tasks usually include clarifying the brief and agreeing a suitable fee and timescale, which is sometimes done by an agent.

After this, tasks might include:

  • reading scripts to identify factors indicating a particular visual style

  • considering the production brief, which may be written or given orally

  • meeting the producer and director to discuss concepts and production requirements

  • Researching the art history, background, politics, historical information and producing design ideas

  • planning and monitoring the design budget

  • providing scale drawings or models for studio or theatre sets

  • producing design ideas for costumes, wigs, props, special effects, make-up and graphics

  • identifying and assessing potential studios and locations

  • sourcing appropriate materials and researching effects

  • presenting ideas to others involved in the production, such as actors and camera operators

  • researching, estimating and preparing a property list

  • hiring and managing an art department team or teams (depending on the size of the production)

  • instructing the set construction company, scenic artists and special effects specialists and monitoring their work

  • liaising with the costume designer and the director of photography, as well as the props, lighting and sound directors

  • attending progress meetings, rehearsals and filming to advise on visual presentation

  • checking sets and locations during filming to make sure requirements are met and to deal with any queries.


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