• CELSIUS TEAM

CAREER IN MONUMENTS AND SCULPTURE RESTORATION

INTRODUCTION

Restoration (cultural heritage), is the process

Through which trained professionals, clean, repair And restore a damaged artwork. These types of art work could include paintings to sculptures to even manuscripts. These ancient artifacts, monuments and paintings are maintained and are given a new life by art conservators and art restoration or by Monuments and Sculpture restoration experts.

COURSES

  • Bachelor's Degree- in archaeology, ancient and medieval history, world history, studio art, fine art, art history, or a related field.

  • M. A. In Conservation, Preservation and Heritage Management

  • PH. D

ELIGIBILITY

10+2 with History


INSTITUTES/UNIVERSITIES

  • National Research Laboratory for Conservation of Cultural Property - NRLC,

  • Lucknow

  • Delhi Institute of Heritage Research and Management, New Delhi.

  • Sinhgad College of Architecture, Pune

SKILLS REQUIRED FOR MONUMENTS AND SCULPTURE RESTORATION

In addition to education and training, soft skills like the ones that follow can help you stand out in your job

  • Passion: A passion for the art to be restored is necessary. Any halfhearted or indifferent attempt at restoration shows.

  • Detail-oriented: Being meticulous, detail-oriented, and patient are also good skills to have.

  • Specific materials, skills: Necessary skills vary according to the restoration project, too. Restoring a 19th-century painting requires a chemistry background and an in-depth knowledge of oil paints and canvas while restoring a medieval woven tapestry requires specific knowledge of textiles and historical methods and materials.


DUTIES AND RESPONSIBILITIES FOR MONUMENTS AND SCULPTURE RESTORATION

A fine art restorer's job involves cleaning artwork and preserving it for the future. However, there are many other duties that may be involved in the position as well, such as:

  • Examining, studying and treating artworks

  • Performing conservation treatments to the highest standards

  • Developing and maintaining standards for storing, handling, installing, packing, and shipping of artworks

  • Collaborating with scientists, department colleagues, and others on complex projects

  • Publishing and presenting research

  • Advise curators and other staff on any technical issues related to potential acquisitions and current collections


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